Bridge of Sighs

Richard Russo’s first book since the Pulitzer Prize-winning?Empire Falls,?Bridge of Sighs?is a typically stunning portrait of three small town families struggling--like the town itself--to strike a balance between obsessively embracing their own history or shunning it entirely, with devastating consequences along both paths. Bridge of Sighs is pure Russo: funny, heartbreaking, and ringing completely true.?--Jon Foro From Publishers Weekly The challenge facing those who perform Russo’s novels is the self-effacing, low-key nature of his protagonists. The line between a faithful rendition of the character and a snoozer may be as narrow as the street that divides the rich from the poor in Russo’s upstate New York town of Thomaston. Unfortunately, Morey’s performance finds itself the poor side of the tracks. Lou C. (Lucy) Lynch’s narration of events is read in an even, objective tone as if Morey were reading the evening news on an amateur radio show. He does emphasize words and ideas, but the overall effect is monotonous and doesn’t do justice to Russo’s rich material. Morey’s narrative voice for Bobby, Lucy’s childhood friend and nemesis, is deeper but more of the same. Morey gives a bit more energy to the third narrator, Sarah, Lou’s wife. The result is more soporific than a Thanksgiving turkey, and getting through Russo’s sharp account of the factory towns he knows so well becomes more a chore than a pleasure.?